{"id":213235,"date":"2010-06-15T10:17:54","date_gmt":"2010-06-15T14:17:54","guid":{"rendered":"https:\/\/dev.totemweb.design\/macommunaute\/communiques\/u11832-drive-end-premiere-exposition-museale-de-martin-beauregard\/"},"modified":"2022-11-06T16:51:38","modified_gmt":"2022-11-06T21:51:38","slug":"u11832-drive-end-premiere-exposition-museale-de-martin-beauregard","status":"publish","type":"communiques","link":"https:\/\/dev.totemweb.design\/macommunaute\/communiques\/u11832-drive-end-premiere-exposition-museale-de-martin-beauregard\/","title":{"rendered":"\u00ab DRIVE END \u00bb Premi\u00e8re exposition mus\u00e9ale de Martin Beauregard"},"content":{"rendered":"<div><P>Montr\u00e9al, le 16 juin 2010 \u2013 Du 17 juin au 19 septembre 2010, dans le Carr\u00e9 d\u2019art contemporain du pavillon Jean\u2010No\u00ebl Desmarais, le Mus\u00e9e des beaux\u2010arts de Montr\u00e9al pr\u00e9sente Drive End, un projet photographique in\u00e9dit de l\u2019artiste qu\u00e9b\u00e9cois Martin Beauregard, dont c\u2019est la toute premi\u00e8re exposition personnelle dans un mus\u00e9e. L\u2019entr\u00e9e \u00e0 l\u2019exposition est libre en tout temps.<\/P><P>Un cin\u00e9\u2010parc transform\u00e9 en cimeti\u00e8re d\u2019automobiles. Un vieil homme aux rides hollywoodiennes et au chapeau de cow\u2010boy contemple le temps qui passe. Un \u00e9cran vide luit dans le ciel cr\u00e9pusculaire au milieu de vieilles bagnoles rouill\u00e9es. Un signe indique le lieu du cin\u00e9\u2010parc, Val\u2010d\u2019Or. Les quatre images sont immenses, mesurant trois m\u00e8tres de hauteur sur plus de sept m\u00e8tres de largeur, et lumineuses comme s\u2019il s\u2019agissait de projections cin\u00e9matographiques. Comme l\u2019explique l\u2019artiste, \u00ab l\u2019installation offre simultan\u00e9ment diff\u00e9rents points de vue sur ce territoire, \u00e0 la fois visible et imaginaire, que sugg\u00e8re le contenu repr\u00e9sentatif des images. La mise en espace fait donc appel \u00e0 l\u2019id\u00e9e d\u2019ubiquit\u00e9. Le dispositif permet aux spectateurs d\u2019\u00eatre pr\u00e9sents dans plusieurs lieux \u00e0 la fois. \u00bb<\/P><P>\u00c9l\u00e9gamment mises en sc\u00e8ne et minutieusement compos\u00e9es par Beauregard, ces sc\u00e8nes donnent \u00e0 voir la fin r\u00eav\u00e9e d\u2019un monde, ou plut\u00f4t de deux mondes, comme le r\u00e9sume elliptiquement le titre, Drive End. Celui de la voiture parvenue au bout de la route, condamn\u00e9e \u00e0 finir en tas de ferraille, emportant avec elle tout un imaginaire de l\u2019\u00e9crasement. Et celui du drive\u2010in, ces cin\u00e9mas en plein air n\u00e9s avec le d\u00e9veloppement de l\u2019automobile et morts, ou presque, avec l\u2019\u00e9talement urbain qui a fait exploser le co\u00fbt des terrains, et surtout le d\u00e9veloppement du \u00ab cin\u00e9ma\u2010maison \u00bb.<\/P><P>Sous ces images, c\u2019est aux th\u00e8mes de l\u2019obsolescence et de la migration que s\u2019int\u00e9resse Beauregard. Obsolescence des technologies, comme le cin\u00e9\u2010parc ou l\u2019automobile, qui emportent avec elles des modes de vie, des communaut\u00e9s, toute une culture, tr\u00e8s nord\u2010am\u00e9ricaine, du rapport \u00e0 l\u2019espace et \u00e0 l\u2019image. Migration physique, motoris\u00e9e, et migration de l\u2019image cin\u00e9matographique qui, depuis son invention, s\u2019est d\u00e9plac\u00e9e des th\u00e9\u00e2tres aux cin\u00e9mas et cin\u00e9\u2010parcs, puis aux \u00e9crans des t\u00e9l\u00e9viseurs et des ordinateurs, voire aux murs des mus\u00e9es. \u00ab Je m\u2019int\u00e9resse \u00e0 la migration du cin\u00e9ma dans l\u2019espace d\u2019exposition d\u2019art contemporain et aux rapports entre l\u2019image fixe et l\u2019image\u2010mouvement, explique l\u2019artiste. La coh\u00e9sion du temps cin\u00e9matographique et du temps photographique semble retenir la fin d\u2019une histoire ou d\u2019un monde, auxquels renvoient m\u00e9taphoriquement l\u2019iconographie de l\u2019oeuvre et de son titre Drive End. \u00bb<\/P><P>Martin Beauregard est n\u00e9 \u00e0 Ville\u2010Marie en 1978. Dipl\u00f4m\u00e9 de l\u2019\u00c9cole des beaux\u2010arts de Bordeaux, il poursuit actuellement des \u00e9tudes de doctorat en recherche\u2010cr\u00e9ation conjointement \u00e0 l\u2019Universit\u00e9 de Paris 1 Panth\u00e9on\u2010Sorbonne et \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al. Son travail a \u00e9t\u00e9 expos\u00e9 \u00e0 Location One Gallery (New York, 2006), \u00e0 L\u2019OEil de poisson (Qu\u00e9bec, 2006), au Asahi Art Square (Tokyo, 2005), et au CAPC mus\u00e9e d\u2019art contemporain de Bordeaux (France, 2005).<\/P><P>St\u00e9phane Aquin, conservateur de l\u2019art contemporain au Mus\u00e9e des beaux\u2010arts de Montr\u00e9al, est responsable de la pr\u00e9sentation de Drive End.<\/P><P>CONTACTS DE PRESSE :<\/P><P>Sabrina Merceron ou Catherine Guex<BR\/>smerceron@mbamtl.org ou cguex@mbamtl.org<BR\/>514\u2010285\u20101600 201015<\/P><P>Pavillon Jean\u2010No\u00ebl Desmarais<BR\/>1380, rue Sherbrooke Ouest<BR\/>Niveau S2<BR\/>Du mardi au vendredi, de 11 h \u00e0 17 h<BR\/>Samedi et dimanche, de 10 h \u00e0 17 h<\/P><P>Les repr\u00e9sentations de plusieurs oeuvres se trouvent sur le site web du Mus\u00e9e au <A href=\"http:\/\/mbam.qc.ca\/media\">mbam.qc.ca\/media<\/A>.<\/P><P>Consignes \u00e0 respecter : L&rsquo;oeuvre d&rsquo;art doit \u00eatre reproduite en entier sans recadrage, ni fond perdu, ni pliage, sans surimpression, ni autre modification d&rsquo;aucune sorte, et la l\u00e9gende ainsi que le cr\u00e9dit photo doivent accompagner l&rsquo;oeuvre.<BR\/><\/P><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le Mus\u00e9e des beaux\u2010arts de Montr\u00e9al pr\u00e9sente Drive End, un projet photographique in\u00e9dit de l\u2019artiste qu\u00e9b\u00e9cois Martin Beauregard.<\/p>\n<p><a href=\"https:\/\/dev.totemweb.design\/macommunaute\/communiques\/u11832-drive-end-premiere-exposition-museale-de-martin-beauregard\/\">read more<\/a><\/p>","protected":false},"author":14260,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","thematiques":[],"regions":[],"class_list":["post-213235","communiques","type-communiques","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6 - 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